. Pourquoi plus aucune vachette dans Intervilles 2025 ? Nagui et Bruno Guillon répondent avec franchise dans “Quelle époque” – explications, réactions et défis d’un programme réinventé

Ce que beaucoup attendaient, France 2 en a décidé autrement : la version 2025 d’Intervilles ne comportera aucune vachette. Nagui, qui rythme l’émission, et Bruno Guillon, expert du divertissement, décryptent ce choix fort dans Quelle époque : pression des associations, évolution des mentalités, respect animalier, image du jeu auprès des jeunes générations… Ils évoquent aussi les défis techniques, l’accueil du public et l’alternative choisie pour recréer une ambiance spectaculaire. Un entretien sans langue de bois où se mêlent sincérité et ambition.

Intervilles has been a staple of French television culture since its debut in the 1960s. Regional rivalries, obstacle courses, and the iconic “vachettes” (young cows let loose among contestants) have all become emblematic of the show’s chaotic charm. Yet, as 2025 approaches, Intervilles is undergoing a major transformation. In the special episode of Quelle époque, hosts Nagui and Bruno Guillon explain why the new edition on France 2 will feature no vachettes—and how they intend to reinvent the beloved classic without them.

A Change Rooted in Ethics and Social Progress

Bruno Guillon begins by acknowledging the show’s deep roots: “Intervilles, for decades, has embodied regional pride, community spirit, and no-holds-barred entertainment. But time moves forward, and so must we.” Recent years have seen a shift in public sensibilities toward animal welfare. Associations and viewers alike have urged productions to rethink using animals for spectacle. Guillon explains that the decision responds to growing ethical standards and a desire not to alienate younger, more socially conscious audiences.

Nagui adds that the presence of vachettes, while nostalgic, risked overshadowing the show’s inclusive spirit: “We want families, children, anyone watching TV to feel good about Intervilles. In 2025, the image of animals as mere props no longer aligns with that mission.” He expresses pride in partnering with France 2 to “modernize responsibly.”

The Creative Challenge: Keeping the Spectacle Alive

For the production team, the absence of vachettes meant reimagining entire game structures. In Quelle époque, Nagui reveals behind-the-scenes details: “We couldn’t just remove the cows and expect viewers to adjust. The games had to feel fresh, exciting, and instantly recognizable as Intervilles.”

One early concept involved mechanized “roaming barrels,” controlled by contestants to mimic the unpredictability of live animals. Another tested robotic “arena obstacles”—brightly colored constructs that would chase or bounce around, creating dynamic chases. Guillon says the ultimate direction landed on innovative stage design: inflatable giants, interactive crowd elements, and human relay games built around misdirection and timing.

The duo explains that each new format was extensively piloted—not just for fun, but with safety standards and visual impact in mind. Nagui notes, “We wanted the games to thrill—rope swings, tight passages, unexpected activations—something everyone at home could feel in their chest.”

Balancing Nostalgia and Innovation

A key concern for both hosts was maintaining the soul of Intervilles. Bruno says they sought “rhythm, laughter, rivalry,” with an added component: respect. “It was important that we don’t abandon what made Intervilles beloved: its grounding in community games, the shared cheering, and the notion of ‘which region has better drive?’ We’re simply evolving those mechanics,” he emphasizes.

Nagui mentions that regional teams will still be front and center. The show will film on the iconic arenas of small French towns—audiences, local vendors, and symbolic landmarks remain essential. “The stadium is different, but the spirit is the same,” he stresses.

Managing Public Perception

Can you keep viewers tuned in without the so-called “star” of the show? Understandably, fans have had mixed reactions. In Quelle époque, Nagui admits: “We expected some skepticism. But we’re also learning from tests. Kids love the new crazy machines. People still cheer as one team wins, and lose interest when a cow simply wanders off-screen.”

Bruno adds that communication was key. They spent weeks briefing regional authorities, fan clubs, and online communities, showcasing prototype games and gathering feedback. “It’s been a shared journey, not a unilateral decision.”

Looking Ahead: A Modern Entertainment Staple

As Intervilles returns in 2025 under its new format, both hosts are convinced it retains its relevance—and yes, its fun. Guillon sums it up: “Television adapts as society evolves. The program that started with loose animals can change today—but still spark the same heat in people’s hearts.”

Nagui closes the segment with a message: “We didn’t remove the cows to erase the past. We removed them to make room for something better. Something kinder. But still Intervilles.”

Why This Matters

This revamp of Intervilles illustrates a broader trend in entertainment: reconciling nostalgia with modern values. Animal welfare campaigns are reshaping long-standing TV conventions worldwide—from game shows and circuses to wildlife filming. Nagui and Bruno Guillon’s candid discussion underscores a critical truth: that beloved cultural icons can—and sometimes must—change to remain beloved.

Final Reflections

The absence of vachettes in Intervilles 2025 marks the end of an era—but also the start of a new chapter. This edition has the chance to redefine what it means to celebrate regional pride and competition on TV. Will viewers embrace the change? Early feedback suggests openness—people appreciate honesty, innovation, and a shared dedication to reinvention.

At its heart, Intervilles is about joy, laughter, friendly rivalry, and communities uniting in playful spirit. If Nagui and Bruno Guillon can maintain that core—with added sensitivity and ingenuity—the bulls may no longer roam the arena—but the heart of the show will still stampede strong.

They both sign off with almost identical sentiments: “We can’t wait for everyone to cheer with us again. Same passion, bigger heart.”